How the books actually get made: reading rooms, request forms, dead links resurrected from web archives, and questions I carry to the buildings where the answers used to work. Some of it ends up in a manuscript. The rest ends up here, because an unused hour in an archive still refuses to be nothing.
88 entries, newest first.
· Three names sit at line 1366 of a Soviet teaching game, behind a door almost nobody opens. I went to Kazan to stand in front of the building where they worked.
· I have wanted this one issue for years, and this morning it was lying on a folding table under a bread tin.
· An afternoon in Riga between the facades and the reading: a display case, an Iskra-226 reported there in 2016, and nobody in the house who can say whether it ever had power.
· An early research tangent on Baikonur that never entered the manuscript, and why some unused hours still refuse to leave.
· Writing in transit across a long rail stretch: the texture of research notes taken half on purpose, half because standing still had become impossible.
· A dead link, a crawler that happened past in 2016, and six disk sides I owe to two strangers who have handles instead of names.
· On a research-adjacent return to the Symbolic Systems courtyard, and the gap between the student who sat there and the novelist who sits there now.
· Walking the sandstone arcades again, City Lights, Ocean Beach in the mist: fond and foreign toward the person who once thought she knew what she would write.
· The small, particular jolt of finding one real name that had only ever arrived secondhand, and what it costs to write near it.
· Working through Kazakh-archive threads on Soviet computing history in an Almaty cafe, with mountain light on the table.
· A private flat in Almaty, four hours of road from my kitchen: a complete Iskra-226 with two drives and a plotter, and a screen that has not held a picture in years.
· An afternoon at a library desk in Moldova, chasing one thread and pocketing scraps meant for other books.
· The same gate, one floor of books, and a free form that answers strangers in two or three working days: the least glamorous door into Soviet computing.
· The Polytechnic's collection now lives in an industrial park behind two checkpoints: a booked tour, a named pass, and machines that nobody switches on.
· A research day at Moscow’s Museum of Cosmonautics: spacecraft models, borrowed light, and notes that feed the work sideways.
· Notes on Setun, Brusentsov, Lebedev, and Ekaterina Shkabara, whose name recedes in the retelling.
· The last afternoon in Kyiv, a machine that reads magnetism instead of files, and one multiplication I did twice because I did not believe it.
· An afternoon at the console of a Soviet-era mainframe with the people who kept it alive: relay racks, magnetic drums, and the logic of three states.
· I went early, before the school groups, and I had it in my bag the whole morning. This is the part of that day I did not publish.
· Hlushkov has a grave with a named sculptor and a named architect. The three women I came to ask about have nothing anybody at the gate could point to.
· A morning among Kyiv’s early computers, and the odd work of researching the real history once the novel is out of my hands.
· A park from opening to closing, a wall beside a convent, and one name on a plaque where three people built the first machine.
· Arriving by rail via Warsaw for Ternary Dreams research: Feofaniya's quiet, metro air alerts, and respect that refuses to turn a living city into backdrop.
· On researching Kyiv’s Feofanija district as a frame setting, and why a live war can never be treated as scenery.
· A paper map of Kyiv, a pencil arrow, and a phone call about which paths still exist.
· On encoding a private diary in balanced ternary, the fictional device at the heart of the new book, and the real machine that made the idea feel possible: Setun.
· Early research notes on a new novel about Soviet computing, balanced ternary logic, and why a third state beyond yes and no feels like the right shape for hidden lives.
· A congress volume of 1912 as a scan: one sentence on printed page 626, an author prevented from appearing, and a hall in Graz I have never seen.
· From a Tbilisi guesthouse, the successor institute's own page on Ivanov: he helped organise the nursery, he never worked there, and the experiments are not documented.
· Two weeks in a Tbilisi courtyard, sulphur steam, and a slow Black Sea train that stops where the timetable and the border both freeze.
· Thirty kilometres southwest of Osh, an exhausted radium mine with its adits open, spoil heaps that still read hot, and the beginning of the entire chain.
· The corporation that owns the plants also runs a free digital library about itself, which is where the women of this book actually live: memoirs, jubilee volumes, flattery.
· The journal of Askania Nova is online back to 2000, which is now the only way in: counts, plots, methods, and an institution under occupation.
· The trip died in one sentence of a decree from 1996: foreign citizens, private matters, entry restricted, and no line in the procedure with room for me.
· The Supreme Soviet at night: floodlights, symmetry, and a state performing statehood to an empty street.
· The tank as civic furniture: a veteran of 1944 aimed at the November sky, and the skepticism it patiently ignores.
· The granite coat before the Supreme Soviet: the statue every other city removed, still supervising his square.
· Across the Dniester into a country that officially does not exist: first frame, industry and a battered trolleybus.
· Cold rain in Chisinau, old hospital papers, wine cellars, and the central market: returning to the landscape of Ivanov's Ghost to deepen the companion archive, not to begin again.
· One email to a museum in central Kazakhstan: rocket fragments, drop zones, and a question the museum's own pages do not answer.
· Day two in Almaty and a different building: the academy's complete run of dissertations, a school of remainders, and two names that belong in my book.
· Back in the Kazakh archives on a loose thread left from Ternary Dreams, without knowing yet whether it wants to become anything.
· Three point three million records, one exact name match, and a man who was shot in 1919: how close a novel came to carrying somebody else's death.
· An evening with a map of receivers instead of a receiver: hundreds of antennas in other people's gardens, twenty three in Finland and Poland, none here.
· A last morning in Baku spent looking for a collection of radio equipment that does not appear to exist, and an afternoon of coins in an oil merchant's palace instead.
· Yanar Dag at dusk: a slope that has been on fire longer than anyone's grandmother remembers, and a hand held to the planet's pilot light.
· An abandoned asphalt plant with its type plate still legible: industrial ruins as regional literature.
· Loose photocopies, one hard brake, and several hundred pages redistributed across a Niva footwell. Curb-side re-sorting with a tire iron for a paperweight.
· A finding aid downloaded to the kitchen table: a design bureau in Frunze, three hundred and nine files, and a register of who was cleared to know.
· Somebody scanned a stack of Soviet manuals and put them where anyone can have them. On one title page from 1987 there is a woman's name and almost nothing else.
· Forty som, a photograph three by four, and a week of republican newspapers that will not confirm the story the whole valley tells.
· Inside the unfinished blocks: concrete cells open to the weather, and a seat on the ledge of an apartment that never was.
· Above Engilchek with the D5 on the tripod: a tin town built for a mine that closed before it mattered.
· The day's yield on a creased sheet: a pinch of flakes, two hands steadying it, and the price of everything visible at once.
· Artisanal gold at the sluice: the informal economy in rubber boots, watched politely from the rim.
· Yerevan, Nor Nork: a technology museum that opens by appointment, control units from a microelectronics institute, and the boxes a voice has to live in.
· ROT-54 at evening: a giant ear in a gorge, rust on the railings, and the reason this whole trip exists.
· A booked hour on the south slope of Aragats: a nine hundred dram ticket, a telescope from 1975, and a department that became its own institute.
· What high altitude does to a body and to attention, chased across the Tibetan plateau for a research thread I cannot yet name.
· A hunch-driven detour to Turkmenistan's burning crater, and what it taught me about writing an unexplained signal.
· A coolant break on the Pamir Highway, an implausibly turquoise river, and what endurance is teaching this research.
· Reaching a stretch of mountains no rental car would insure, on the way to remote fieldwork for the numbers-station book.
· The reactor hall of Project 816: twenty storeys of cavern, a pit that never held fuel, and the end of the road from the dance floor.
· The 816 portal: green gates open, a red star overhead, and a tunnel that swallows scale on the way in.
· Baitao: the town that was built for a secret, a village shop with festival stock, and neighbors of a hollow mountain.
· The Wheel of Rebirth in the sandstone at Baodingshan: all of existence in one carving, inspected before the reactor.
· A monastery basin, one yuan by phone, and the oldest transaction on earth running on the newest rails.
· The marriage market in People's Park: pink paper, hard numbers, parents as agents, and love as an archive.
· The Beijing Hotel by daylight: three buildings, one century, and a ballroom where the Chairman took his turns.
· A shortwave receiver, headphones, a map of Russia on the table, and the buzz that never stops.
· A museum notebook full of orbital modules and life-support diagrams, and the gap where the bodies should be.
· Rusted fishing hulls on dry seabed, a vanished island, and the first notes toward a book that does not exist yet.
· Flashlight visits to abandoned sanatoria: the wards, the basements, and the paperwork nobody thought worth taking along.
· The liquidators' memorial with its permanent honor guard of strays, and feeding what the Zone left behind.
· The Third Angel of Chornobyl: a wormwood monument in welded steel, blowing its trumpet over the snow.
· Small things left on a broken sill, the view through empty panes, and the Zone's genre of accidental still life.
· The tallest ruin on the square: the hotel that watched the evacuation, letters still on its roof.
· A mesh-sided cot in the nursery light, and standing in the doorway rather than entering.
· A kindergarten bench, an open alphabet book, a doll someone posed years ago, and what to do with arranged grief.
· Lazurny: the swimming pool that outlived the town by a decade, its diving blocks waiting in the cold light.
· The Pripyat ferris wheel under snow: an amusement park that never opened, and yellow the frost cannot mute.
· A snowy path lined with name signs, one for every village the Zone erased, and walking it to the end.
· The town sign in the snow, the nuclear atom in concrete, and a city that got sixteen years.
· Dityatky checkpoint: a Soviet contamination monitor older than my mother, palms flat on the sensors.
· December nights on the Maidan: veterans rebuild the camp in miniature, and the fires in the barrels are lit again.
· Maidan at night from the upper terrace: the stella, the lights, and a square that is never only a square.
· A flight into Dnipro, a biplane older than my parents still earning its keep on a wet apron, and a borrowed headset that smelled of somebody else's work.
· A cold bus ride out to the bridge on a fog-heavy day, mid-way through a Symbolic Systems degree that has not yet decided what it is for.