Elara S. Novikova
Blog
Home / Blog / Topics / china
Topic

china

A spring and early summer in 2023: Beijing from a hotel that remembers the Chairman dancing, then south to Baitao and the 816 tunnels, a nuclear cathedral that never went critical. Also chilis that numbed my lip, painters at a lake in Hongcun, and the Wall, at last. It was a research trip that kept turning into a life.

38 entries, newest first.

2023

Me from behind at a stone railing over a pond in the lit garden at night, golden pavilions reflected.
 

Yu Garden After Dark

· Shanghai's golden bazaar at night: upturned eaves in floodlight, carp-colored reflections, and a last evening of looking.

My silhouette at a temple balustrade under wind chimes, orange smog sunset and skyline beyond.
 

Chimes in the Smog

· Evening on a temple balcony: wind chimes against an orange sky, the skyline dissolving, and a silhouette at the rail.

Me in a Huangshan t-shirt on the Great Wall, watchtowers on the green ridges behind.
 

The Wall, at Last

· The debt from week one gets paid: the Great Wall in May green, and a souvenir shirt earning its keep.

Me at an easel among art students painting Hongcun across the lake.
 

The Painters of Hongcun

· A village that is also a syllabus: easels at the lake, and joining the row with a borrowed stool and no talent.

My silhouette at a gallery railing above the blue-green reactor hall of Project 816.
 

The Cathedral That Never Went Critical

· The reactor hall of Project 816: twenty storeys of cavern, a pit that never held fuel, and the end of the road from the dance floor.

Me walking into the huge concrete tunnel of Project 816, mint-green gates open, red star above.
 

The Gate in the Mountain

· The 816 portal: green gates open, a red star overhead, and a tunnel that swallows scale on the way in.

Me with a shopping basket in a village shop: drink shelves, gift boxes, red pennants.
 

The Shop Below the Mountain

· Baitao: the town that was built for a secret, a village shop with festival stock, and neighbors of a hollow mountain.

Me laughing on a wooden boardwalk in waterfall spray, shirt misted through.
 

Spray on the Boardwalk

· A gorge detour, a waterfall that mists the walkway, and arriving at the far end soaked and improved.

Me with a notebook in a moored sampan with four red lanterns, turquoise river and pale cliff behind.
 

Lampions on the Wu

· Up the turquoise Wujiang by degrees: a moored sampan, four red lanterns, a bird on the bow rope, and notes before the mountain.

Me, small before the carved Wheel of Rebirth in the Dazu rock niche.
 

The Wheel at Dazu

· The Wheel of Rebirth in the sandstone at Baodingshan: all of existence in one carving, inspected before the reactor.

My small silhouette at a night riverside railing before Chongqing's stilt houses and LED skyline.
 

Hello Chongqing, Hello World

· Down from the plateau into a city of stacked light: stilt houses in gold, a dragon boat, and a skyline that talks.

Through a window: me playing cards with two older Chinese women, thermos cart beside.
 

Three Hands of Cards

· Through a common-room window: two veterans of the table, one guest, and an education paid in small change.

Old print of travelers on the roof of rusty bus 318 before snow mountains. I'm among them.
 

The Bus on the Roof of the World

· An old print behind glass in a guesthouse hallway, four strangers on a bus roof, and a fifth figure I cannot explain.

Me in black at night before a glowing tower of costume-portrait photos.
 

The Costume Shop at Night

· A lightbox of borrowed identities on a dark street, studied from across the road like an archive after hours.

Me silhouetted, planting a glowing incense stick against the monastery's golden shrine light.
 

Incense by QR Code

· A monastery basin, one yuan by phone, and the oldest transaction on earth running on the newest rails.

Me in a red jacket holding a red luck tablet before racks of wish tablets and khata scarves.
 

A Tile for Luck

· A rack of red wishes at the overlook, four characters for everything going smoothly, and a skeptic paying in.

Me writing at a balcony table above grasslands with horses. Flannel off one shoulder.
 

Writing at Three Thousand Meters

· A balcony over the grasslands: notebooks, a map, a shirt losing its argument with the morning, and thin-air prose.

Me in a red jacket with six leashed huskies at a rocky viewpoint above clouds.
 

Six Dogs

· A viewpoint photo racket with six huskies, a fixed price, and the customer satisfaction of surrendering completely.

A marmot snout fills the lens; me in a red jacket on the meadow behind it.
 

The Marmot Tax

· High meadow bureaucracy: a customs officer with fur, whiskers at the lens, and a levy paid in full.

Me in profile by a stone cairn under prayer flags, snow patches and blue sky beyond.
 

Flags at the Pass

· A cairn, radiating prayer lines, wind doing the reciting, and a small figure quietly deciding that one week on this plateau will not be enough.

Me on a boulder, both arms up, before an enormous snow-covered glacier flank.
 

The Wall of Snow

· First full sight of the big mountains: a glacier flank filling the sky, and the yell it pulled out of me.

Me laughing from the car window as a brown horse pushes its head inside, mountain road behind.
 

The Toll Horse

· A mountain road checkpoint operated by one brown horse, and the correct currency for passage.

Me beside my laughing driver in a flowered dress, Sichuan dishes on the lazy susan.
 

Lunch with the Driver

· Westward with Yan: a shared table, a lazy susan, and the diplomacy of ordering for two strangers.

Me in a white and gold phoenix robe and wedding crown at sunset, one shoulder bare, a leaf on my hand.
 

A Crown for an Hour

· Above Chengdu, a golden-hour photo hill, a rented phoenix crown, a slipped robe, and someone else's wedding tried on for size.

Me, sun-flushed, at the foot of the Leshan Giant Buddha, its toes and head in the red cliff behind.
 

The Toes of the Buddha

· Leshan from the bottom up: toes the size of furniture, a head in the cliff sky, and twelve centuries of patience.

Me in a black summer dress, slipped strap, on a stone bridge parapet under a pastel umbrella.
 

Under a Pastel Umbrella

· Golden hour on an old stone bridge: borrowed shade, a slipped strap, and the art of sitting still in a busy city.

Me reading pink handwritten marriage ads on wires in a Chengdu park alley, two other women beside me.
 

A Market of Résumés

· The marriage market in People's Park: pink paper, hard numbers, parents as agents, and love as an archive.

Me walking under the umbrella-shaped lamps on the hotel's curved night drive, floodlit pines beside.
 

Lanterns at the Drive

· Last night in Beijing under the porte cochere: a row of glowing umbrellas and a goodbye to the overture.

Me, flushed, with chopsticks over a chili-laden wok in a bright eatery with red lanterns.
 

Chilis and a Cold Cola

· A late Beijing dinner that pretended to be Sichuan: dried chilis, a numb lip, and a cold cola from the glass-front fridge.

Me in pink and blue Qing costume with peony headdress, walking toward the camera, street blurred.
 

Passing Dynasty II: Head On

· The frontal frame: no glasses, no makeup, freckles under the peonies, and a face refusing to act.

Me in a light blue embroidered Qing robe on a blue share bike past a blurred hutong wall.
 

Passing Dynasty I: The Bicycle

· Qing silk on a share bike, a hutong smeared into speed lines, and the century collapse Beijing does daily.

Me in rented cream and green Ming hanfu, gold hair ornaments and silk fan, at a Forbidden City balustrade.
 

Borrowed Dynasty

· An hour in rented Ming silk at the Forbidden City, and what a costume teaches about posture and centuries.

Me from behind at a golden barrier on hazy Tiananmen Square, red flags and the mausoleum beyond.
 

The Square at Nine

· Tiananmen in haze: flags, the mausoleum queue, and a lamp post that grew cameras instead of leaves.

Me in a black robe, bare shoulder, alone at a white-clothed table in the vaulted dining hall.
 

Breakfast in the Ballroom

· Alone under the chandeliers at seven, a slipped strap, and the parquet where the era practiced its steps.

Me alone at night on the Beijing Hotel steps under the red neon.
 

The Facade at Night

· Sitting on the steps after closing time with the neon overhead, watching Chang'an go quiet.

Me on the front steps of the Beijing Hotel with a folded map, looking up at the facade.
 

The Hotel Where They Danced

· The Beijing Hotel by daylight: three buildings, one century, and a ballroom where the Chairman took his turns.

Me, tired, selfie with backpack at the long wooden reception counter of a Beijing hotel lobby.
 

Checking In off Chang'an

· Four days of trains, one extravagant decision, and a reception desk long enough to land aircraft on.

Me exhausted on the hotel bed in my underwear, backpack on the carpet, looking at the Forbidden City roofs.
 

The West Window

· Ask for a west room, high up: the bed, the last of the trains in my bones, and the Forbidden City below the sill.

More topics
← All posts · Start here