Elara S. Novikova
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zone

Ten days at the turn of 2021 into 2022, from the contamination monitor at Dityatky to the ferris wheel that never opened. The Zone is a genre of accidental still life: a doll somebody posed years ago, a cot photographed from the doorway rather than entered. The last frame is me, at the edge of Pripyat, and then the drive home to saturation.

9 entries, newest first.

2022

Me in a hooded parka with an action camera on my head, ruined buildings behind me; phone still from the week colour came back into the feed.
 

Colour Comes Back

· The last frame of the Zone series: a self-portrait at the edge of Pripyat, and the drive home to saturation.

2021

Me in profile at a ruined window, small objects on the sill, looking out through broken panes.
 

The Windowsill

· Small things left on a broken sill, the view through empty panes, and the Zone's genre of accidental still life.

Me small on the snowy plaza before the abandoned Hotel Polissya.
 

Hotel Polissya

· The tallest ruin on the square: the hotel that watched the evacuation, letters still on its roof.

Me in the doorway of an abandoned nursery, a small mesh cot by the window.
 

The Cot by the Window

· A mesh-sided cot in the nursery light, and standing in the doorway rather than entering.

Me crouching near an old doll and open primer on a bench in the abandoned kindergarten.
 

The Doll and the Primer

· A kindergarten bench, an open alphabet book, a doll someone posed years ago, and what to do with arranged grief.

Me at the tiled rim of the empty Azure pool in Pripyat, diving blocks and tall windows.
 

The Pool Called Azure

· Lazurny: the swimming pool that outlived the town by a decade, its diving blocks waiting in the cold light.

Me standing small under the rusted yellow ferris wheel of Pripyat in the snow.
 

The Wheel That Stopped

· The Pripyat ferris wheel under snow: an amusement park that never opened, and yellow the frost cannot mute.

Me beside the concrete Pripyat town sign on a snowy road.
 

Pripyat, 1970

· The town sign in the snow, the nuclear atom in concrete, and a city that got sixteen years.

Me in the steel frame of an old radiation monitor at the Chernobyl checkpoint, palms on the sensors.
 

The Machine at the Checkpoint

· Dityatky checkpoint: a Soviet contamination monitor older than my mother, palms flat on the sensors.

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