Elara S. Novikova
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samovar

The brass one in the corner of the kitchen, polished roughly twice a year and working anyway. The cezve is for the desk; the samovar is for company, for Sunday calls that need sitting through, for winters. If a post reads warm in January, this is why.

14 entries, newest first.

2026

Me smoothing proofs at the desk, radio glowing.
Ternary Dreams

Two weeks out

· In two weeks Ternary Dreams meets the world. The first time the title and a real date sit together on this blog.

Me opening a notebook of diagrams under the green banker's lamp.
Ternary Dreams

Ternary on the Kitchen Table

· Late structural revision at the kitchen table: a notebook of ternary-logic diagrams, and the click when the book's three-way spine finally behaves.

Me in the sunlit kitchen with a copper cezve.
 

The Pitch That Got a No

· On a side project politely declined, the usefulness of a clean refusal, and why I am not staging a grievance from Bishkek.

Me in a black sleep shirt under a blanket. Bedroom selfie.
 

A week I did not write much

· A bad cold, a quiet desk, and the unglamorous decision to stop treating rest like a moral failure.

2025

Me on the Bishkek balcony at dusk, free hand on the rusting rail.
 

A difficult phone call

· A slightly tense call from Bishkek about a family matter I cannot fully rearrange from here: no neat ending, only the sound of the line and what I can actually do.

Me in a grey hoodie at the kitchen table with a mug.
 

Almost nothing to report

· A quiet stretch of thin royalties and thinner pages six weeks before the first book exists, and the discipline of not performing panic for an audience.

2024

Birthday selfie on the brass bed: grey hoodie, bun, one muffin held up like a trophy.
 

Twenty-five

· A birthday kept mostly quiet, and a set of questions I am not dressing up as answers.

2023

The setup that went nowhere.
 

The setup that went nowhere

· Dinara sent me to a gallery opening with a name and a description. The evening was pleasant. That is most of what there is to say.

2022

Me in a black slip on the bed among parcels, fastening a garter strap.
 

Parcels on the Bed

· An afternoon of locked doors, tissue paper, one defeated bodysuit, and the black slip that finally looked like me. Also a question.

Me in a black coat and mask, night selfie before a lit shop window.
 

The Lit Window on a Dark Street

· A late-lockdown walk through empty Bishkek, a closed lingerie shop still glowing, and a quiet click I was not ready to name.

2021

The day the drain won
 

The day the drain won

· A Saturday spent on a clogged drain, heavy bazaar bags, damp laundry, and a hallway bulb that chose the worst moment to die.

The First Time We Sat in a Room Again
 

The First Time We Sat in a Room Again

· Nearly a year on: tea with Aigerim and Dinara, masks half-managed, gratitude braided with a wariness that will not simply switch off.

2020

Me at the kitchen table at three in the morning, one lamp on, a grid of seminar faces on the laptop, the notebook open for longhand.
 

The Quarter From the Kitchen

· An autumn quarter attended from a kitchen table thirteen hours out of step, and the particular shame of losing the middle of a sentence to a stuttering line.

Me in a grey hoodie with the copper cezve at the kitchen table.
 

The Middle of It

· High summer indoors, closed banyas, thin video calls, and the flat stretch where writing is the only thing that still has edges.

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