Elara S. Novikova
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In July 2024 I pointed the Niva east and drove it across Mongolia: ovoos with blue scarves, yaks in the ford, a flat tire in open steppe with an audience of nothing. There is a statue you can stand inside, in the mane of a stainless horse forty meters up. I considered flying home from a sensible airport. The Niva won the argument.

22 entries, newest first.

2024

Me walking the empty apron toward a small white Cessna Caravan.
 

The Caravan on the Apron

· A western airfield on the way home: one Cessna on the concrete, a tower with no hurry, and the pull of small aviation.

Me, dark silhouette at the sheer curtain. Ulaanbaatar lights beyond.
 

The Window Over Ulaanbaatar

· A city hotel after weeks of felt walls: night glass, distant lights, and a silhouette between curtain and dark.

Me with my duffel in front of the airport terminal, tired smile.
 

Plan B, Considered

· An hour at the airport pricing the sensible way home, and the argument the Niva won without being present.

Me laughing at the railing in the mane of the giant steel horse, steppe far below.
 

On the Mane

· Up through the horse to the viewing platform: standing in the statue's mane with the steppe running to the sky.

Giant steel Genghis Khan statue on the steppe, flags flying before it.
 

The Rider From the Steppe

· First sight of the Chinggis colossus: forty meters of stainless steel rising off the grass, flags straight in the wind.

Me on the far bed in the ger, bare back turned to the warm lamp.
 

The Bed at the Far End

· A ger's warm interior, lamplight on felt and lattice, and one traveler asleep before the tea was cleared.

Me at the shore of White Lake, hands in my pockets, evening light on the water.
 

The White Lake

· Terkhiin Tsagaan at evening: water the volcano made, a shore with no schedule, and the trip's stillest hour.

Me small on the rim of the Khorgo crater, red-black bowl below.
 

The Crater at Khorgo

· An extinct volcano's perfect bowl, larches on the rim, and standing at the edge of old fire country.

Me at a fence looking at a rainbow over gers. The red Niva nearby.
 

A Rainbow Over the Gers

· After the afternoon squall: a full arc over the village, the Niva steaming by the fence, and unearned perfection.

Me eating khorkhog with my hands, a rib in both fists.
 

Khorkhog, With Fingers

· Festival mutton cooked with hot stones, eaten the only correct way, grease to the wrist and no regrets.

Me leading a racehorse with a white blanket at a naadam, glancing back.
 

Leading the Racehorse

· Naadam day: five-year-old jockeys, a horse that tolerates me, and leading a racer to the line by its rope.

Me turning a brass prayer wheel at the monastery, eyes half lowered.
 

Spinning the Wheel

· A brass cylinder full of prayers, one push of the palm, and outsourcing devotion to good machinery.

Whitewashed wall of Erdene Zuu with its row of stupas across the steppe.
 

A Hundred and Eight Stupas

· The wall of Erdene Zuu: whitewashed stupas against the grass sea, counted twice, magnificent both times.

Young monks in red robes at Erdene Zuu. Me walking behind at a distance.
 

Behind the Monks

· Kharkhorin at last: young monks crossing the yard of Erdene Zuu, and arriving in history's boot prints.

Two hands holding gold flakes on creased paper. Energy drink cans beside.
 

Gold on Paper

· The day's yield on a creased sheet: a pinch of flakes, two hands steadying it, and the price of everything visible at once.

Miners at a hand-built gold-washing sluice. Me at the edge with a notebook.
 

The Ninja Miners

· Artisanal gold at the sluice: the informal economy in rubber boots, watched politely from the rim.

Me half under the red Niva on steppe grass, wrench in hand.
 

The Jack and the Grass

· First flat of the trip: the Niva on the jack in open steppe, a wrench, an audience of nothing, and honest work.

Me watching yaks drink at a river ford, hand shielding my eyes.
 

Yaks at the Crossing

· A ford shared with the shaggiest traffic in the valley, and the correct etiquette of not hurrying anyone.

Me flinging an arc of milk from a wooden spoon over the green steppe.
 

Milk for the Road

· The libation lesson: a wooden spoon, an arc of milk to the morning, and a blessing performed badly but sincerely.

Me at a stone ovoo, blue prayer scarf over my palm, blue sky above.
 

Blue Scarves at the Pass

· A second ovoo in sunshine, a khadag over the palm, and learning the courtesy of high places.

Bactrian camels walking away down new asphalt through pale steppe.
 

Camels on the New Asphalt

· The oldest caravan meets the youngest road: Bactrians on fresh tarmac, and right of way settled instantly.

Stone ovoo with weathered blue prayer scarves on a rainy green pass.
 

The First Ovoo

· Across the last border in rain: a cairn with rags of blue, three stones added, and the Niva pointed east.

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