←→I spent most of a Tuesday arguing with myself about a phone. A freelance writer, mid-pandemic, three months into a degree I was attending from my own kitchen, buying a flagship handset while the city stayed shut: the arithmetic looked indecent no matter how I arranged it. I told myself the old camera app had grown soft and uncertain in low light, that I needed something sharper if I was going to keep working from a single room. The argument did not become noble. It only became quiet enough to place the order.
The courier held the box out at arm's length. We were both masked; our gloves made a small, awkward clap when the cardboard changed hands. At the kitchen table I slit the seals and lifted out the thing itself: pacific blue, cool as a river stone, the camera a neat square of three lenses set into the back. It looked more serious than I felt.
First test shots went to the samovar corner, which the winter afternoon had already abandoned. Then the night city from my window, sodium and snow and the dark bulk of the opposite block. The phone gathered more light than my eyes could claim. Faces at distant balconies resolved; frost on a railing turned legible. I was unsettled and delighted in equal measure. With galleries closed and no one to borrow a proper body from, this slab of glass and aluminium had become my entire camera crew. I set it on the windowsill and let it keep watch.
One short email when a new book is out or a price changes. Nothing else, and no forwarding to anyone.